March has been a good month, not least because of an excuse to eat dark chocolate and Easter eggs…
Major news this month is the official release of Yanty’s Butterfly: “Yanty’s Butterfly consists of over 600 poems, spanning the variety of haiku forms: three-line haiku, two-line haiku, one-line haiku, four-line haiku, traditional haiku (5-7-5), concrete haiku, tanka, and haibun. Featuring haiku from Yanty Tjiam, George Klacsanzky, Fei Zhan, and award-winning poet, Alan Summers, Yanty’s Butterfly is an essential addition to the haiku literature of the 21st century.”
Yanty’s Butterfly is an anthology put together by members of the Haiku Nook Google community to commemorate Yanty Tjiam, who passed away last year. Yanty wrote beautiful haiku and her death affected us deeply. The anthology includes some of her poems, and is dedicated to her. Proceeds will be donated to Yanty’s family and to the charities ActionAid and The Hunger Project.
My upcoming novelette, I Like It Hard, continues its creeping progress through the publication engine. Still no sign of a cover, but this month I received the line editor’s comments. Most were minor, such as disagreements over the need for a comma here or there – I suspect no two editors will agree completely over commas – but there was one interesting point. During the story, there is mention in several places of a ‘man in a headset’. Now, while writing originally, I was thinking of this ‘person’ as being generic, anonymous, probably even several people defined by a specific role. But the reader doesn’t quite get that impression, and that has bothered me a little for a few months. The editor picked up on this point too, so I have amalgamated these ‘men in headsets’ into a single named character.
alexis in heels
walking into the future
from a thoughtless past
imagine a thought
where no thought has ever passed
and be reverent
the first face we see
is the face that teaches us
the truth of beauty
As for my science fiction novelette Alexis 5-1-8, which has been rejected now by one publisher and simply ignored by another, I have finally found the enthusiasm to try again. (‘Third time lucky,’ he mutters, blood from the sacrificial goat pouring into a clay vessel as the smell of burning barley fills the air of the temple. ‘Third time lucky…’) For now, here is a trio of haiku inspired by Alexis.
In connection with this, Discover Magazine’s Jeremy Hsu reports in What Women and Men Want from Sex Robots that “both women and men generally agreed that using sex robots was more appropriate than hiring a human prostitute.” Also, take a look at this fantastic video:
A few more Supergirl poems this month, including one that’s really just about Mistress X.
even in disguise
her feet never touch the earth
memory holds her
Kara eats Baci
‘Can I have a kiss?’ Cat asks
and gets more than one
For two of these I was experimenting with a new structure in which every line has nine syllables and sequential pairs of lines rhyme. It resists any rhythm, but also reads comfortably in four-line stanzas, and the resulting mood is a little unsettling – which works well for poems with a darker theme, such as horror or despair.
- Oh, Supergirl, a moment, please?, even a superhero has bills to pay
- Kill me, Supergirl, Supergirl encounters a supernatural horror
- The worm turns, Mistress X erases her past
- Evidence of pain, Kara finds solace in the rain